Actions, Yi Sun-sin

Actions, Yi Sun-sin


Even if I disappear, the actions of people like me will stay behind.

- Yi Sun-sin


General Yi wanted his actions to have an impact on future generations, even if he died.


"비록 내가 사라지더라도, 나와 같은 사람들의 행동이 뒤에 남을 것입니다."

- 이순신 장군


이순신 장군은 그가 죽더라도 자신의 행동이 미래 세대에 영향을 주기를 원했습니다.


행동, 이순신 장군, Actions, Yi Sun-sin



Difficulty, Yi Sun-sin

Difficulty, Yi Sun-sin


Rivers flow even when mountains are turned upside down.

- Yi Sun-sin


General Yi preached the belief that a united force can overcome any challenge.


"강은 산이 뒤집혀도 흐른다."

- 이순신 장군


이순신 장군은 단결된 힘으로 어떤 어려움도 극복할 수 있다는 신념을 전했습니다.


어려움, 난관, 難關, 이순신 장군, Difficulty, Yi Sun-sin



Beauty, Yves Saint Laurent

Beauty, Yves Saint Laurent


"The most beautiful makeup of a woman is passion. But cosmetics are easier to buy."

- Yves Saint Laurent


Saint Laurent highlights the intrinsic beauty that comes from a woman’s passion and inner vitality. While cosmetics can enhance appearance, true beauty, according to him, stems from one’s inner drive and enthusiasm.


여성의 가장 아름다운 화장은 열정입니다. 하지만 화장품이 구매하기가 더 쉽죠.

- 이브 생 로랑


생 로랑은 여성의 열정과 내면의 활력에서 비롯되는 본질적인 아름다움을 강조합니다. 화장품은 외모를 개선할 수 있지만 진정한 아름다움은 내면의 추진력과 열정에서 비롯된다는 것이 그의 생각입니다.


Passion, Beauty, Yves Saint Laurent, Quotes, Quotations



Anton Mauve, The Return of the Flock, Laren, c. 1886-1887

Anton Mauve, The Return of the Flock, Laren, c. 1886-1887


Anton Mauve, The Return of the Flock, Laren, c. 1886-1887, oil on canvas, h 100.25 x w 161.42 cm, Philadelphia Museum of Art

Anton Mauve, The Return of the Flock, Laren, c. 1886-1887, oil on canvas, h 100.25 x w 161.42 cm, Philadelphia Museum of Art


Artist
Anton Mauve (1838-1888)


Title
The Return of the Flock, Laren


Object type
painting


Genre
landscape painting


Date
c. 1886-1887


Medium
oil on canvas


Dimensions
height 100.25 x width 161.42 cm


Collection
Philadelphia Museum of Art



Style, Yves Saint Laurent

Style, Yves Saint Laurent


"Fashion comes and goes, but style is eternal."/p>

- Yves Saint Laurent/p>

Yves Saint Laurent distinguishes between fashion and style. Fashion is seen as temporary and ever-changing, while style is timeless and enduring. This quote underscores the importance of developing a personal sense of style that transcends fleeting trends./p>

패션은 왔다가 사라지지만 스타일은 영원합니다./p>

- 이브 생 로랑/p>

이브 생 로랑은 패션과 스타일을 구분합니다. 패션은 일시적이고 끊임없이 변화하는 반면, 스타일은 시대를 초월하고 지속되는 것으로 간주됩니다. 이는 일시적인 유행을 뛰어넘는 자신만의 스타일 감각을 개발하는 것이 중요하다는 것을 강조합니다./p>

Fashion, Style, Yves Saint Laurent, Quotes, Quotations



Francis Wheatley, Morning, 1799

Francis Wheatley, Morning, 1799


Francis Wheatley (1747-1801), Morning, 1799, oil on canvas, h 44.5 x w 54.6 cm, Yale Center for British Art, New Haven, Connecticut

Francis Wheatley (1747-1801), Morning, 1799, oil on canvas, h 44.5 x w 54.6 cm, Yale Center for British Art, New Haven, Connecticut


Artist
Francis Wheatley (1747-1801)
Artist (British)
Born in London. Died in London.


Title
Morning


Object type
painting


Date
1799


Medium
oil on canvas


Dimensions
height 44.5 x width 54.6 cm


Collection
Yale Center for British Art, New Haven, Connecticut



Lollipops, Marilyn Monroe

Lollipops, Marilyn Monroe

"That's the story of my life; I always get the fuzzy end of the lollipop."
- Marilyn Monroe, as Sugar Kane in Some Like It Hot (1959)

The quote “That’s the story of my life; I always get the fuzzy end of the lollipop” is from the movie Some Like It Hot (1959), where Marilyn Monroe’s character, Sugar Kane, says it.

In this context, the “fuzzy end of the lollipop” symbolizes getting the less desirable part of a situation or consistently having bad luck. It’s a metaphor for feeling like you’re always getting the short end of the stick or the worst part of a deal.

그게 내 인생의 이야기야. 불확실한 막대사탕 끝이 항상 내 몫이지.
- 슈가 케인, 마릴린 먼로

"그게 내 인생의 이야기야. 불확실한 막대사탕 끝이 항상 내 몫이지"라는 말은 영화 '썸 라이크 잇 핫(1959)'에 나오는 말입니다. 영화 속에서 마릴린 먼로가 맡았던 역인 슈가 케인이 말한 대사이죠,

여기서 '롤리팝의 흐릿한 끝'은 어떤 상황에서 바람직하지 않은 부분을 얻거나 지속적으로 불운을 겪는 것을 상징합니다. 이는 항상 막대 사탕의 짧은 끝이나 거래에서 최악의 부분을 얻는 것처럼 느끼는 것을 은유합니다.

Life, Jerry Garcia

Life, Jerry Garcia


"Too much of a good thing is just about right."

- Jerry Garcia


Garcia’s quote suggests that indulgence in positive experiences or pleasures is not only acceptable but desirable. It reflects a laid-back, hedonistic philosophy, where enjoying life to the fullest is encouraged.


너무 많은 좋은 것은 단지 딱 적당한 겁니다.

- 제리 가르시아


가르시아의 이 말은 긍정적인 경험이나 쾌락에 탐닉하는 것이 허용될 뿐만 아니라 바람직하다는 것을 시사합니다. 이는 삶을 최대한 즐기는 것이 권장되는 느긋하고 쾌락주의적인 철학을 반영합니다.


Indulgence, Life, Jerry Garcia, Quotes, Quotations



William A. Fraser, A Wet Night, Columbus Circle, c.1897-c.1898

William A. Fraser, A Wet Night, Columbus Circle, c.1897-c.1898


William A. Fraser (c.1840-1925), A Wet Night, Columbus Circle, c.1897-c.1898, Gelatin silver print, h 50.8 x w 41.91 cm, The Nelson-Atkins Museum of Art, Kansas City, Missouri, United States

William A. Fraser (c.1840-1925), A Wet Night, Columbus Circle, c.1897-c.1898, Gelatin silver print, h 50.8 x w 41.91 cm, The Nelson-Atkins Museum of Art, Kansas City, Missouri, United States


Artist
William A. Fraser (c.1840 - 1925)


Title
A Wet Night, Columbus Circle


Date
c.1897 - c.1898


Medium
Gelatin silver print


Dimensions
h 50.8 x w 41.91 cm


Collection
The Nelson-Atkins Museum of Art, Kansas City, Missouri, United States



Vincent van Gogh, Quay with men unloading sand barges, 1888

Vincent van Gogh, Quay with men unloading sand barges, 1888

Vincent van Gogh, Quay with men unloading sand barges, August 1888, oil on canvas, h 55.1 x w 66.2 cm, Museum Folkwang, Essen, Germany

Vincent van Gogh, Quay with men unloading sand barges, August 1888, oil on canvas, h 55.1 x w 66.2 cm, Museum Folkwang, Essen, Germany

Artist
Vincent van Gogh (1853–1890)

Title
French: Les bateaux amarrés
Rhone boats / Quay with men unloading sand barges

Object type
painting

Date
August 1888

Medium
oil on canvas

Dimensions
h 55.1 x w 66.2 cm

Collection
Museum Folkwang, Essen, Germany

Place of creation
Arles