Hope, Desmond Tutu
“Hope is being able to see that there is light despite all of the darkness.”
- Desmond Tutu
This quote emphasizes the idea that hope allows us to find light and positivity even in the darkest of times. It suggests that maintaining hope can help us navigate through challenges and hardships.
Claude Monet, Lavacourt under Snow, 1881
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| Claude Monet (1840-1926), 눈 덮인 라바쿠르(Lavacourt under Snow; Coucher de soleil sur la neige à Lavacourt), 1881, 캔버스에 유채(oil on canvas), 59.7 x 80.6 cm, Dublin City Gallery The Hugh Lane, Dublin |
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Alfred Sisley, La neige à Louveciennes, 1878
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| Alfred Sisley (1839-1899), La neige à Louveciennes, 1878, oil on canvas, h 61 x w 50.5 cm, Musée d'Orsay, Paris[1] |
[1] https://commons.wikimedia.org/wiki/File:La_neige_a_Louveciennes.JPG
[2] https://www.musee-orsay.fr/fr/oeuvres/la-neige-louveciennes-1110
Caspar David Friedrich, Cairn in Snow, 1807
Cairn in Snow, also known as Dolmen in the snow, (German: Hünengrab im Schnee, literally "Giant's grave in the snow") is a landscape painting by the German painter Caspar David Friedrich.[1]
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| Caspar David Friedrich (1774-1840), Cairn in Snow, 1807, oil on canvas, h 61 x w 80 cm, Galerie Neue Meister, Dresden, Germany |
Caspar David Friedrich (1774-1840), Cairn in Snow, 1807, oil on canvas, h 61 x w 80 cm, Galerie Neue Meister, Dresden, Germany
Artist
Caspar David Friedrich (1774-1840)
Title
German: Hünengrab im Schnee
Cairn in Snow
Object type
painting
Genre
landscape art
Medium
oil on canvas
Dimensions
h 61 x w 80 cm
Collection
Galerie Neue Meister, Dresden, Germany
New Masters Gallery
[1] https://en.wikipedia.org/wiki/Cairn_in_Snow
Akseli Gallen-Kallela, Autumn Landscape, First Snow, 1897
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| Akseli Gallen-Kallela (1865-1931), Autumn Landscape, First Snow, 1897, oil on canvas, h 41 x w 26 cm, Finnish National Gallery, Helsinki, Finland |
Akseli Gallen-Kallela (1865-1931), Autumn Landscape, First Snow, 1897, oil on canvas, h 41 x w 26 cm, Finnish National Gallery, Helsinki, Finland
Artist
Akseli Gallen-Kallela (1865-1931)
Alternative names
Axel Waldemar Gallén
Title
Swedish: Höstlandskap, första snön
Autumn Landscape, First Snow
Object type
painting
Genre
landscape art
Date
1897
Medium
oil on canvas
Dimensions
h 41 x w 26 cm
Collection
Finnish National Gallery, Helsinki, Finland
Gustave Caillebotte, Paris Street; Rainy Day, 1877
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| Gustave Caillebotte, Paris Street; Rainy Day, 1877, oil on canvas, 212.2 x 276.2 cm, Art Institute of Chicago |
Gustave Caillebotte, Paris Street; Rainy Day, 1877, oil on canvas, 212.2 x 276.2 cm, Art Institute of Chicago
Paris Street; Rainy Day (French: Rue de Paris, temps de pluie) is a large 1877 oil painting by the French artist Gustave Caillebotte (1848–1894), and is his best known work. It captures a moment in the bustling streets of Paris after a rain shower.
파리의 거리; 비오는 날(프랑스어: Rue de Paris, 템프 드 플뤼에)은 프랑스 화가 구스타브 카일레보트(1848-1894)의 1877년작 대형 유화 작품으로, 그의 자품 중 가장 잘 알려진 작품입니다. 작품은 소나기가 내린 파리의 번화한 거리의 한 순간을 포착하고 있습니다.
Artist
Gustave Caillebotte (1848-1894)
Title
French: Rue de Paris, temps de pluie
Paris Street in Rainy Weather
Object type
painting
Genre
cityscape
Description
Français : Il s'agit de la place de Dublin vue depuis la rue de Moscou.
This is Place de Dublin as seen from Rue de Moscou.
Date
1877
Medium
oil on canvas
Dimensions
height: 212.2 x width: 276.2 cm
Collection
Art Institute of Chicago
Friends, Sirach
Stay away from your enemies, and be on guard with your friends.
- Sirach
http://www.usccb.org/bible/sirach/6
원수들을 멀리하고 친구들도 조심하여라.
▥ 집회서의 말씀 6,13
Money, Jackie Mason
I have enough money to last me the rest of my life, unless I buy something.
- Jackie Mason
This quote humorously highlights the paradox of financial security. It suggests that while someone may feel they have enough money to last a lifetime, this sense of security can quickly vanish if they start spending it. Essentially, it underscores the idea that financial stability is fragile and can be easily disrupted by spending habits.
나는 평생 쓰고도 남을 돈이 있다. 단, 아무 것도 사지 않는다면.
- 재키 메이슨
재키 메이슨의 이 말은 재정적 안정감의 역설을 유머러스하게 강조합니다. 누군가는 평생을 버틸 수 있을 만큼 충분한 돈을 가지고 있다고 느낄 수 있지만, 돈을 쓰기 시작하면 이러한 안정감은 금방 사라질 수 있음을 시사합니다. 즉, 재정적 안정은 취약하며 소비 습관에 의해 쉽게 무너질 수 있다는 점을 강조합니다.
Money, Jackie Mason, Quotes, Quotations, 재키 메이슨, 돈, 명언
Money, Edith Wharton
The only way not to think about money is to have a great deal of it.
- Edith Wharton
This quote suggests that financial concerns often occupy a significant portion of our thoughts and worries. When someone has a substantial amount of money, they are less likely to be preoccupied with financial issues, allowing them to focus on other aspects of life. Essentially, having a lot of money can provide a sense of security and freedom from financial stress, making it easier to not think about money constantly.
돈 생각을 떨쳐내는 유일한 방법은 돈을 많이 갖는 것이다.
- 이디스 워튼
이 문장은 재정적인 문제가 우리의 생각과 걱정의 상당 부분을 차지한다는 것을 시사합니다. 상당한 액수의 돈을 가진 사람은 금전적인 문제에 몰두할 가능성이 줄어들어 삶의 다른 측면에 집중할 수 있다는 것을 뜻하죠. 이디스 워튼은 기본적으로 돈이 많으면 안정감을 느끼고 재정적 스트레스로부터 자유로워져 돈에 대해 끊임없이 생각하지 않는 것이 더 쉬워진다고 말합니다.
Money, Edith Wharton, Quotes, Quotations, 이디스 워튼, 돈, 명언
Jacques-Louis David, Cupid and Psyche, 1817
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| Jacques-Louis David, Cupid and Psyche, 1817, oil on canvas, 184.2 x 241.6 cm, Cleveland Museum of Art, Cleveland, Ohio[1] |
Jacques-Louis David, Cupid and Psyche, 1817, oil on canvas, 184.2 x 241.6 cm, Cleveland Museum of Art, Cleveland, Ohio
“Love and Psyche,” also known as “Cupid and Psyche,” is an 1817 painting by Jacques-Louis David, currently housed in the Cleveland Museum of Art. Created during David’s exile in Brussels, the painting was commissioned by the patron and collector Gian Battista Sommariva. The artwork depicts the mythological figures Cupid and Psyche, exploring the conflict between idealized love and physical reality. David’s portrayal of Cupid as an ungainly teenager, rather than the traditional idealized adolescent, was a deliberate departure from conventional representations. This painting marked a significant shift in David’s style, incorporating realism and a more nuanced approach to mythological themes.
'큐피드와 프쉬케'라고도 알려진 '사랑과 프쉬케'는 자크 루이 다비드의 1817년 작품으로, 현재 클리블랜드 미술관에 소장되어 있습니다. 다비드가 브뤼셀에 있을 때 그린 이 그림은 후원자이자 수집가인 지안 바티스타 소마리바의 의뢰로 제작되었습니다. 이 작품은 신화 속 인물인 큐피드와 프시케를 묘사하여 이상화된 사랑과 물리적 현실 사이의 갈등을 탐구합니다. 데이비드는 큐피드를 기존의 이상화된 청소년이 아닌 어설픈 십대로 묘사했는데, 이는 기존의 표현에서 의도적으로 벗어난 것이었습니다. 이 그림은 사실주의와 신화적 주제에 대한 보다 미묘한 접근 방식을 통합하여 데이비드의 스타일에 중요한 변화를 가져왔습니다.
Artist
Jacques-Louis David
Title
Cupid and Psyche
Object type
painting
Genre
mythological painting
Description
David used the story of Cupid and Psyche to explore the conflict between idealized love and physical reality. Cupid, lover of the beautiful mortal Psyche, visited her nightly on the condition that she not know his identity. Cupid was usually depicted as an ideal adolescent, but here David presents him as an ungainly teenager smirking at his sexual conquest.David took inspiration from a number of ancient texts, including an obscure, recently published Greek poem by Moschus that describes Cupid as a mean-spirited brat with dark skin, flashing eyes, and curly hair.
Depicted people
Cupid
Psyche
Date
1817
Medium
oil on canvas
Dimensions
Framed: 221 x 282 x 10 cm
Unframed: 184.2 x 241.6 cm
Collection
Cleveland Museum of Art, Cleveland, Ohio
[1] https://commons.wikimedia.org/wiki/File:Clevelandart_1962.37.jpg
